Audio Post Production Sound Design, Dialogue, ADR, Dubbing & Foley
Post-produzione audio professionale per cinema e televisione: Dialogue Editing, ADR, Dubbing, Foley, Sound Effects, ambienti, spazializzazione, premix e deliverables.
Progetta il suono che rende una scena credibile, potente e immersiva.
Un percorso specialistico dedicato alla post-produzione audio per cinema e televisione.
Il corso sviluppa competenze professionali nella progettazione, nell’editing, nel restauro, nella sincronizzazione e nella finalizzazione di dialoghi, Foley, effetti sonori, ambienti e materiali audio per l’audiovisivo.
Il programma affronta l’intero workflow: Dialogue Editing, ADR, doppiaggio, Foley, Sound Effects Editing, ambience, spazializzazione, premix e preparazione dei deliverables.
Dialogue & ADR
Pulizia, restauro, sincronizzazione, replacement e voice production.
Foley & Sound Effects
Registrazione, editing, layering, sincronizzazione e progettazione sonora.
Mixing & Delivery
Premix, spazializzazione, stem, M&E, versioning e consegna professionale.
Dalla presa diretta al mix finale.
Analisi della scena, soundscape e strategia narrativa.
Editing, pulizia, restauro e sincronizzazione labiale.
Registrazione, comping, replacement e versioni linguistiche.
Passi, props, cloth, ambiences e Sound Effects.
Spazializzazione, stem, M&E, QC e deliverables.
Sei moduli per una post-produzione completa.
01Fondamenti di Audio Post Production e Sound DesignWorkflow, ruoli e progettazione sonora12 ore · 2 CFU
Fasi e ruoli della post-produzione
Funzioni narrative e percettive del suono
Dialoghi, Foley, FX, ambienti e musica
Lettura della scena e spotting
Organizzazione della sessione
Sample rate, bit depth, frame rate e timecode
Video, guide track e reference mix
Routing, bus, gruppi e stem
Editing non distruttivo
Naming, archiviazione e backup
02Dialogue Editing, Restauro e SincronizzazionePulizia, continuità e lip sync18 ore · 3 CFU
Organizzazione delle tracce di produzione
Scelta delle migliori take
Sincronizzazione labiale
Taglio, trimming, slip e nudging
Fade e crossfade
Click, pop, rumori e drop-out
Noise reduction e restauro
EQ correttiva e dinamica
Room tone e continuità
Fill, patching e ricostruzione frasi
Prospettiva e coerenza timbrica
Conform e re-conform
03ADR, Dubbing e Voice ProductionRegistrazione e sostituzione del dialogo12 ore · 2 CFU
Workflow dell’ADR
Cue list e preparazione sessioni
Streamers, punches, wipe e beep
Microfonazione della voce
Gestione dell’attore e delle take
Sincronizzazione del dialogo sostitutivo
Editing e comping ADR
Doppiaggio e continuità interpretativa
Match EQ e riverbero
Wild lines, breaths, walla e group ADR
Versioni linguistiche
Laboratorio pratico
04Foley, Sound Effects e Ambienti SonoriPerformance, editing e progettazione12 ore · 2 CFU
Footsteps, cloth, props e body movements
Materiali e tecniche di performance
Microfonazione Foley
Editing e sincronizzazione
Sound Effects Editing
Layering e processing creativo
Hard Effects e Design Effects
Ambiences e room tone
Background e suono territorio
Prospettiva, distanza e occlusione
Integrazione con dialoghi e musica
Creazione di ambienti interni ed esterni
05Mixing, Spatial Audio e Professional DeliverablesPremix, stem e consegna professionale12 ore · 2 CFU
Preparazione della sessione per il premix
Bilanciamento tra dialoghi, Foley, FX, ambienti e musica
EQ, compressione e limiting
Automazioni di volume, pan e send
Riverbero ed early reflections
Stereo imaging e profondità
Workflow surround e immersive audio
Loudness, peak e headroom
Dialogue, Music and Effects stem
M&E e versioni internazionali
AAF, OMF, XML e sessioni consolidate
Quality Control e naming convention
06Final Audio Post Production ProjectProject Work conclusivo6 ore · 1 CFU
Analisi di una sequenza audiovisiva
Progettazione del soundscape
Dialogue Editing e restauro
ADR o doppiaggio
Foley sincronizzato
Sound Effects e ambienti
Spazializzazione e premix
Stem e versioni
Deliverables professionali
Presentazione finale
Gli strumenti della moderna Audio Post Production.
Esperienza accademica e musica per immagini.
Prof. Francesco de Donatis
- Laureato Summa Cum Laude presso Berklee College of Music, Boston
- Compositore per Film, TV, Video Games e Pubblicità
- Docente AFAM
- Coordinatore Scientifico del Master in Film Scoring
- Esperienza nella produzione musicale e nelle tecnologie audio per immagini
Competenze per la moderna post-produzione audiovisiva.
Scopri l’esperienza dei nostri studenti.
Leggi le testimonianze di compositori, musicisti e professionisti che hanno seguito i percorsi formativi di International Film Score ETS.
Trasforma il suono in una esperienza cinematografica.
Presenta la tua candidatura al corso Audio Post Production. Le iscrizioni sono a numero chiuso, con un massimo di 15 partecipanti.
Audio Post Production Sound Design, Dialogue, ADR, Dubbing & Foley
Professional audio post-production for film and television: Dialogue Editing, ADR, Dubbing, Foley, Sound Effects, ambience, spatial audio, premixing and deliverables.
Design the sound that makes a scene believable, powerful and immersive.
A specialist programme focused on professional audio post-production for film and television.
The course develops professional skills in designing, editing, restoring, synchronizing and finalizing dialogue, Foley, Sound Effects, ambience and audio materials for audiovisual productions.
The programme covers the complete workflow: Dialogue Editing, ADR, dubbing, Foley, Sound Effects Editing, ambience, spatial audio, premixing and professional deliverables.
Dialogue & ADR
Cleaning, restoration, synchronization, replacement and voice production.
Foley & Sound Effects
Recording, editing, layering, synchronization and sound creation.
Mixing & Delivery
Premix, spatial audio, stems, M&E, versioning and professional delivery.
From production audio to the final mix.
Scene analysis, soundscape planning and narrative strategy.
Editing, cleaning, restoration and lip synchronization.
Recording, comping, replacement and language versions.
Footsteps, props, cloth, ambiences and Sound Effects.
Spatial audio, stems, M&E, quality control and deliverables.
Six modules for a complete post-production workflow.
01Audio Post Production & Sound Design FundamentalsWorkflow, roles and sonic planning12 hours · 2 credits
Stages and professional roles
Narrative and perceptual functions of sound
Dialogue, Foley, FX, ambience and music
Scene analysis and spotting
DAW session organization
Sample rate, bit depth, frame rate and timecode
Video, guide tracks and reference mixes
Routing, buses, groups and stems
Non-destructive editing
Naming, archiving and backups
02Dialogue Editing, Restoration & SynchronizationCleaning, continuity and lip sync18 hours · 3 credits
Production-dialogue organization
Best-take selection
Lip synchronization
Cutting, trimming, slip and nudging
Fades and crossfades
Clicks, pops, noise and drop-outs
Noise reduction and restoration
Corrective EQ and dynamics
Room tone and continuity
Fill, patching and phrase reconstruction
Perspective and tonal consistency
Conform and re-conform
03ADR, Dubbing & Voice ProductionRecording and dialogue replacement12 hours · 2 credits
ADR workflow
Cue lists and session preparation
Streamers, punches, wipes and beeps
Voice microphone techniques
Actor direction and take management
Replacement-dialogue synchronization
ADR editing and comping
Dubbing and performance continuity
Match EQ and reverb
Wild lines, breaths, walla and group ADR
Language versions
Practical laboratory
04Foley, Sound Effects & Sonic EnvironmentsPerformance, editing and sound creation12 hours · 2 credits
Footsteps, cloth, props and body movements
Materials and performance techniques
Foley microphone techniques
Editing and synchronization
Sound Effects Editing
Layering and creative processing
Hard Effects and Design Effects
Ambiences and room tone
Backgrounds and sonic territories
Perspective, distance and occlusion
Integration with dialogue and music
Interior and exterior environments
05Mixing, Spatial Audio & Professional DeliverablesPremixing, stems and professional delivery12 hours · 2 credits
Premix session preparation
Balancing dialogue, Foley, FX, ambience and music
EQ, compression and limiting
Volume, pan and send automation
Reverb and early reflections
Stereo imaging and depth
Surround and immersive workflows
Loudness, peak and headroom
Dialogue, Music and Effects stems
M&E and international versions
AAF, OMF, XML and consolidated sessions
Quality Control and naming conventions
06Final Audio Post Production ProjectFinal Project Work6 hours · 1 credit
Audiovisual-sequence analysis
Soundscape design
Dialogue Editing and restoration
ADR or dubbing
Synchronized Foley
Sound Effects and ambience
Spatial audio and premix
Stems and versions
Professional deliverables
Final presentation
The tools of modern Audio Post Production.
Academic expertise and music for visual media.
Prof. Francesco de Donatis
- Summa Cum Laude graduate of Berklee College of Music, Boston
- Composer for Film, Television, Video Games and Advertising
- AFAM lecturer
- Scientific Coordinator of the Master in Film Scoring
- Experience in music production and audio technologies for visual media
Skills for modern audiovisual post-production.
Discover our students’ experience.
Read testimonials from composers, musicians and professionals who have attended programmes offered by International Film Score ETS.
Transform sound into a cinematic experience.
Apply for the Audio Post Production course. Admission is limited to a maximum of 15 participants.