Film Music Editing Temp Tracks, Synchronization & Audio Post
Montaggio musicale, temp tracks, sincronizzazione audio-video, dubbing, worldising e spazializzazione per cinema e televisione.
Dai ritmo, continuità e profondità alla scena.
Un percorso specialistico dedicato al montaggio musicale, alla sincronizzazione e all’ambientazione sonora per cinema e televisione.
Il corso fornisce un workflow completo per selezionare, adattare, montare e sincronizzare temp tracks, score, musica di repertorio e materiali audio in relazione al montaggio audiovisivo.
Il programma integra Film Music Editing tramite DAW, spotting, cue sheet, beat matching, time-stretching, transizioni, dubbing, worldising ed effetti di spazializzazione.
Temp Track Editing
Taglio, trimming, crossfade, loop, time-stretching e ricomposizione musicale.
Music Synchronization
Spotting, cue point, hit point, sync point, tempo map e timecode.
Worldising & Spatial Audio
Dubbing, diegesi, ambienti, prospettiva sonora e spazializzazione.
Dallo spotting alla consegna finale.
Analisi della scena, cue, ritmo e strategia musicale.
Selezione, montaggio e adattamento dei materiali musicali.
Marker, hit point, beat matching, timecode e tempo map.
Diegesi, ambientazione, dubbing, prospettiva e spazializzazione.
Cue sheet, stems, versioni, conform, re-conform e delivery.
Sei moduli per un workflow completo.
01Fondamenti di Film Music Editing e Temp TrackRuolo, strumenti e tecniche di base12 ore · 2 CFU
Ruolo del Music Editor
Temp track: definizione, funzioni e limiti
Lettura del brief e della scena
Spotting preliminare
Sample rate, frame rate e timecode
Importazione video nella DAW
Taglio, trimming, split, slip e nudging
Fade e crossfade
Time-stretching e pitch management
Organizzazione e naming della sessione
02Sincronizzazione, Spotting e Montaggio MusicaleEditing avanzato e sincronizzazione audio-video18 ore · 3 CFU
Spotting session
Marker, cue point, hit point e sync point
Beat matching
Tempo map
Montaggio multilivello
Adattamento della forma musicale
Transizioni, bridge e final button
Loop, estensioni e accorciamenti
Gestione di dialoghi e pause
Editing non distruttivo
Conform e re-conform
Esercitazioni su scene reali
03Dubbing, Diegesi e Continuità AudiovisivaDialoghi, Source Music e prospettiva narrativa12 ore · 2 CFU
Dubbing e relazione tra dialoghi, musica ed effetti
Musica diegetica ed extradiegetica
Source Music
Suoni in campo e fuori campo
Continuità sonora
Overlapping audio
Background Instrumental e Vocal
On the Air Sounds
EQ e trattamento narrativo
Automazioni di volume, pan e profondità
04Worldising, Ambientazione e SpazializzazioneAmbienti, profondità e movimento sonoro12 ore · 2 CFU
Definizione e funzione del worldising
Musica riprodotta in ambienti reali
Riverbero ed early reflections
Filtri e perdita di banda
Distanza e occlusione
Panoramica stereo
Automazioni di movimento
Ambiences, room tone e background noise
Foley di supporto
Integrazione tra musica, ambiente e sound design
05Professional Workflow, Cue Sheet e DeliverablesComunicazione, versioning e consegna professionale12 ore · 2 CFU
Workflow tra regista, montatore, compositore e Music Supervisor
Spotting notes
Cue sheet
Versioni, revisioni e approvazioni
Conform e re-conform
Guide track e reference mix
Stems musicali
AAF, OMF, XML e sessioni consolidate
Naming convention
Copyright e licenze
Archiviazione e backup
Portfolio e demo reel
06Final Film Music Editing ProjectProject Work conclusivo6 ore · 1 CFU
Analisi della sequenza
Spotting e strategia musicale
Creazione della temp track
Montaggio e sincronizzazione
Dubbing
Worldising
Cue sheet
Versioni alternative
Deliverables professionali
Presentazione finale
Gli strumenti del moderno Film Music Editing.
Esperienza accademica e musica per immagini.
Prof. Francesco de Donatis
- Laureato Summa Cum Laude presso Berklee College of Music, Boston
- Compositore per Film, TV, Video Games e Pubblicità
- Docente AFAM
- Coordinatore Scientifico del Master in Film Scoring
- Esperienza nella composizione, produzione e sincronizzazione musicale per immagini
Competenze per la post-produzione audiovisiva.
Scopri l’esperienza dei nostri studenti.
Leggi le testimonianze di compositori, musicisti e professionisti che hanno seguito i percorsi formativi di International Film Score ETS.
Trasforma il montaggio in una narrazione sonora.
Presenta la tua candidatura al corso Film Music Editing. Le iscrizioni sono a numero chiuso, con un massimo di 15 partecipanti.
Film Music Editing Temp Tracks, Synchronization & Audio Post
Music editing, temp tracks, audio-video synchronization, dubbing, worldising and spatial audio for film and television.
Give rhythm, continuity and depth to the scene.
A specialist programme focused on music editing, synchronization and sonic spatialization for film and television.
The course provides a complete workflow for selecting, adapting, editing and synchronizing temp tracks, scores, library music and audio materials in relation to picture editing.
The programme combines DAW-based Film Music Editing, spotting, cue sheets, beat matching, time-stretching, transitions, dubbing, worldising and spatial audio effects.
Temp Track Editing
Cutting, trimming, crossfading, looping, time-stretching and musical reconstruction.
Music Synchronization
Spotting, cue points, hit points, sync points, tempo maps and timecode.
Worldising & Spatial Audio
Dubbing, diegesis, environments, sonic perspective and spatialization.
From spotting to final delivery.
Scene analysis, cue planning, rhythm and musical strategy.
Selection, editing and adaptation of musical materials.
Markers, hit points, beat matching, timecode and tempo maps.
Diegesis, ambience, dubbing, perspective and spatialization.
Cue sheets, stems, versions, conform, re-conform and delivery.
Six modules for a complete workflow.
01Film Music Editing Fundamentals & Temp TracksRoles, tools and essential techniques12 hours · 2 credits
The role of the Music Editor
Temp tracks: definition, functions and limitations
Brief and scene analysis
Preliminary spotting
Sample rate, frame rate and timecode
Video import in the DAW
Cutting, trimming, split, slip and nudging
Fades and crossfades
Time-stretching and pitch management
Professional session organization and naming
02Synchronization, Spotting & Music EditingAdvanced editing and audio-video synchronization18 hours · 3 credits
Spotting sessions
Markers, cue points, hit points and sync points
Beat matching
Tempo maps
Multilayer editing
Adapting musical form to picture
Transitions, bridges and final buttons
Loops, extensions and reductions
Dialogue and pause management
Non-destructive editing
Conform and re-conform
Exercises on real scenes
03Dubbing, Diegesis & Audiovisual ContinuityDialogue, Source Music and narrative perspective12 hours · 2 credits
Dubbing and the relationship between dialogue, music and effects
Diegetic and non-diegetic music
Source Music
On-screen and off-screen sound
Sonic continuity
Audio overlapping
Background Instrumental and Vocal
On the Air Sounds
EQ and narrative treatment
Volume, pan and depth automation
04Worldising, Ambience & SpatializationEnvironments, depth and sonic movement12 hours · 2 credits
Definition and function of worldising
Music reproduced in real environments
Reverb and early reflections
Filters and bandwidth loss
Distance and occlusion
Stereo placement
Movement automation
Ambiences, room tone and background noise
Supporting Foley
Integration of music, ambience and Sound Design
05Professional Workflow, Cue Sheets & DeliverablesCommunication, versioning and professional delivery12 hours · 2 credits
Workflow with directors, editors, composers and Music Supervisors
Spotting notes
Cue sheets
Versions, revisions and approvals
Conform and re-conform
Guide tracks and reference mixes
Music stems
AAF, OMF, XML and consolidated sessions
Naming conventions
Copyright and licensing
Archiving and backups
Portfolio and demo reel
06Final Film Music Editing ProjectFinal Project Work6 hours · 1 credit
Sequence analysis
Spotting and musical strategy
Temp-track creation
Editing and synchronization
Dubbing
Worldising
Cue sheet
Alternate versions
Professional deliverables
Final presentation
The tools of modern Film Music Editing.
Academic expertise and music for visual media.
Prof. Francesco de Donatis
- Summa Cum Laude graduate of Berklee College of Music, Boston
- Composer for Film, Television, Video Games and Advertising
- AFAM lecturer
- Scientific Coordinator of the Master in Film Scoring
- Experience in composition, production and music synchronization for visual media
Skills for modern audiovisual post-production.
Discover our students’ experience.
Read testimonials from composers, musicians and professionals who have attended programmes offered by International Film Score ETS.
Transform editing into a sonic narrative.
Apply for the Film Music Editing course. Admission is limited to a maximum of 15 participants.